The Clark – Notes on a Decolonial Art History in Latin American and Latinx Art in the 20th and 21st Century

Cecilia Fajardo-Hill is a Research Scholar at the UCLA Chicano Studies Research Center. An independent British/Venezuelan art historian and curator in modern and contemporary art, she is focused on Latin American and Latinx art. Fajardo-Hill has a PhD in Art History from the University of Essex, England, and an MA and a Postgraduate Diploma in 20th Century Art History from the Courtauld Institute of Art, London, England. She has published and curated extensively on contemporary Latin American and international art.

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The Clark
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The Clark
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Lectures & Forums

The Clark – Almost Forgotten, Marginalized Histories in Bahamian Art

Circling themes of marginality, oral history, and cultural heritage, this talk examines the urgency of traditional and emerging archival practices and addresses a shift in the framing of historical narratives that challenge dominant representations and stigmas of outsider cultures in Bahamian artistic practices.

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The Clark
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The Clark
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Lectures & Forums

The Clark – Dancing Altars, Embodied Visualities in Togolese Sacred Arts

Through layered visual displays, Ewe people in Togo map histories of cultural exchange with Indian merchants and African Muslims onto contemporary social relations. Some communities perform memories of trade with Indian merchants through festival arts that embody Hindu chromolithograph images as depictions of local water spirits.

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The Clark
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The Clark
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Lectures & Forums

The Clark – Astrup, Land, Landscape, and Nation

In conjunction with the exhibition Nikolai Astrup: Visions of Norway, Patricia Berman, Theodora L. and Stanley H. Feldberg Professor of Art at Wellesley College, discusses Nikolai Astrup’s work within the context of the identity of land and its representation in the Nordic countries from the 1890s to the 1920s.

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The Clark
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The Clark
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Lectures & Forums

The Clark – Durer and Mantegna, Images en Route

Caroline Fowler, Starr Director of the Research and Academic Program, discusses Dürer's relationship to the Italian printmaker and artist Andrea Mantegna, who was a central influence for Dürer throughout his career. At the end of his life, Dürer turned to Mantegna to meditate on the procession of images, the ephemerality of art, and the necessary role of community among artists across time to create meaning.

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The Clark
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The Clark
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Lectures & Forums