Deputy Director of Curatorial Affairs Lisa Dorin joins artist, activist, and scholar Amalia Mesa-Bains in a conversation about "The Library of Sor Juana Inez de la Cruz." This site-specific installation—which Mesa-Bains created for WCMA in 1994—re-imagines the library room of the 17th century Mexican poet, composer, and philosopher.
Journalist Barbara Bradley Hagerty ’81 talks about renewal in her new book "Life Reimagined: The Science, Art, and Opportunity of Midlife." She tells Dennis O’Shea ’77 that midlife is a time to renegotiate your purpose, refocus your relationships, transform the way you think about the world & yourself.
Members of WCMA's curatorial team Horace Ballard, Kevin Murphy, and Elizabeth Sandoval in a conversation about their process and approach to the upcoming exhibition Remixing the Hall. This moderated dialogue explores the curators' collaborative approach to this thematic re-hang of WCMA's global collections.
1. Criminals of the Dream composed by Deerhoof arranged by Joey Fox '21 2. Baker’s Dozen composed by Reem Kelani arranged by Ananth Shastri '21 3. Aquela Coisa composed by Hermeto Pascoal 4. Central Park West composed by John Coltrane arranged by Andrew Rule '21 5. Suspiria composed by Zach Babat '21 6. Prema composed by Alice Coltrane arranged by Ananth Shastri '21
Nicholas Ambeliotis '23 - piano, Nico Cavaluzzi '23 - trumpet, Gwyn Chilcoat '24 - trombone, Rebecca Coyne '22 - tenor saxophone, Anna Leedy '22 - bass, Ben Su '24 - drumset, Matt Wisotsky '23 - soprano saxophone, baritone saxophone and flute 1. Con Alma composed by Dizzy Gillespie arranged by Michael Philip Mossman 2. Divergence composed by Matt Wisotsky '23 3. Convergence composed by Matt Wisotsky '23 4. Be Present composed by Wynton Marsalis
